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Girl with an Oar
The ''Girl with an Oar'' ((ロシア語:Девушка с веслом)) is an archetypal example of Socialist Realism in outdoors arhitecture of the Soviet Union, "an idiom of the Soviet kitsch".〔("The Oar Girl Returns to Moscow, in Her Natural State" )〕 Numerous gypsum alabaster versions authored by Ivan Shadr〔()〕 and Romuald Iodko adorned Soviet parks of culture and recreation, and young pioneer camps.
Seen as a symbol of Soviet erotica and totalitarianism today, it was part of the monumental propaganda of sports, a model of a healthy person, ubiquitous in Soviet arts of late 1920s-1930s.〔http://www.day.kiev.ua/en/article/time-out/girl-paddle-symbol-soviet-totalitarianism-and-erotica "The Girl with a Paddle as a symbol of Soviet totalitarianism and erotica"]〕
The first ''Girl with an Oar'' by Shadr was that of a naked girl. It was heavily criticized for being "too vulgar". It was destroyed and known only from a single photo. The second one was naked as well, "more chaste" but still naked.〔("Чем новая «Девушка с веслом», которую поставили в ЦПКиО, отличается от старой" ) 〕 Initially installed in Gorky Park, Moscow, it was criticized as well and eventually "disappeared", and Shadr made another copy to be installed in Luhansk, Ukrainian SSR 〔("Девушка с веслом" ) in "Encyclopedic Dictionary of Winged Words and Expressions, by Vadim Serov〕
The popular stereotype of the ''Girl with an Oar'' is the one in a swimsuit, created by Romuald Iodko.〔
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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